Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Canaletto
Return of the Bucentoro to the Molo on Ascension Day d

ID: 05605

Canaletto Return of the Bucentoro to the Molo on Ascension Day d
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Canaletto Return of the Bucentoro to the Molo on Ascension Day d


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Noli me Tangere fdgd | Campo S.Rocco (mk21) | La Punta della Dogana (Custom Point) dfg | Arrival of the French Ambassador in Venice d | The Grand Canal near the Ponte del Rialto f |
Related Artists:
Giovanni Bellini
Italian High Renaissance Painter, ca.1430-1516 (b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.
Vasiliy Pukirev
painted The Arranged Marriage in 1862
Jerome Myers
(March 20, 1867 - June 19, 1940) was a U.S. artist and writer. Born in Petersburg, Virginia and raised in Philadelphia, Trenton and Baltimore, he spent his adult life in New York City. Jerome worked briefly as an actor and scene painter, then studied art at Cooper Union and the Art Students League where his main teacher was George de Forest Brush. In 1896 and 1914, he was in Paris, but his main classroom was the streets of New York's lower East Side. His strong interest and feelings for the new immigrants and their life resulted in hundreds of drawings, as well as paintings and etchings capturing the whole panorama of their lives as found outside of the crowded tenements which were their first homes in America.






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